Technique: Long arpeggios covering 6 strings. flamenco tremolo studies, thumb studies, alzapúa studies, flamenco scales (picados), arpeggio-picado patterns, chords study
Styles:
Rondeña characteristic tuning variations 1 & 2
Minera variations 1 & 2
Farruca variations 1 - 4
Soleá in a variations 1 – 4
Serrana variations 1- 3
Flamenco music theory: The subtonic in the flamenco mode, the cadence of the flamenco mode, reinforcing chord function in flamenco harmony, use of the subdominant of a transitory tone in the progression, the E note as a pedal in harmonic progression