Flamenco piano sheet music book for alegrías

€ 29.96 EUR

Out of stock

Want to learn flamenco on piano? This book, the fourth in the flamenco piano series, has all the piano sheet music for alegrías, the most well known and performed flamenco palo of the songs from Cádiz, characterized by its bright and extroverted qualities, mainly due to the tonal system. It provides an in-depth study of the rhythm, harmony, melody and form structures and how to apply them practically on the piano. In addition to the scores, this innovative teaching material also includes tips on flamenco improvising, composing and fusion.
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Born in Peñarroya-Pueblonuevo (Córdoba - Spain), Lola Fernández is a professor of piano, music theory and composition. Her educational work is mainly focused on teaching flamenco musicology, flamenco music theory, transcriptiosn and improvisations at the conservatories of Murcia and Cordoba. She also is a professor at the institute of musical education Emilio Molina (IEM) in the specialty of flamenco and a regular speaker during flamenco classes at the university of Alcala de Henares. Her work includes several publications such as the book of flamenco music theory which won the research award at the International Festival of Cante de las Minas Union. As a composer she participated in several premieres, recordings and soundtracks for theater, dance, audiovisual and movies.

Spanish English
152 pages

Midi files available on request


€ 29.00

Flamenco dance classes on CD created by Dolores Giménez, the president of the flamenco cultural association Carmen Amaya where she also dances.  This CD is a result from Dolores her vast professional experience, 32 years as a performing dancer and 20 years as a dance teacher. The classes offer an analysis and instructions for alegrias, for beginners to advanced levels. 

The dance forms are demonstrated in their traditional versions and tablao style choreographies. The booklet offers detailed explanations of the flamenco dance theory. On the CD all movements are presented step by step, with and without feet, in slow and normal speed. A sound signal is added at the beginning of each part. The volume of some guitar and palmas parts is raised enabling you to still hear them in combination with your own feet while practicing.

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